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Joseph Stalin
In a brief poem written in response to the Soviet
invasion of Czechoslovakia, W.H. Auden ridiculed the inexpressive nature of tyranny and
tyrants: "One prize is beyond his reach, / The Ogre cannot master Speech."
Now, it seems, the translator and novelist Richard Lourie has set out to
prove Auden wrong. In The Autobiography of Joseph Stalin, he lets that
chuckling despot tell his own story, from his obscure origins in the Georgian sticks to
his bureaucratic apotheosis as ruler of all Russia. In part Stalin simply
wants to get his life down on paper. But as he informs the reader, he's also
trying to launch a pre-emptive strike against his arch-nemesis, Leo Trotsky, who's
currently compiling a scurrilous (i.e., fundamentally accurate) biography of Stalin in
Mexico City.
Given this scenario, many a novelist would have turned Uncle Joe into an articulate
monster, a kind of Bolshevik Iago. Lourie takes a different route. Oh, his narrator
does have a gift for poetic doublespeak, which comes into play during his ruminations on
the 1938 Moscow show trials: "In a certain highly literal sense of the word, most of
these men are not guilty of most of
these crimes. They may, however, be guilty of many other crimes, crimes for
which the state has decided to spare itself the expenses of a trial but which would have
cost them their head in any case." He also gets off some memorable
character sketches, like this one of Lenin:
He was five feet three at most but so solidly planted on the floor that he made you feel
the smaller man. As the Hungarians say, his forehead reached to his ass, but
his baldness was dynamic, not pathetic -- as if intense thought had sent the hairs flying
from his scalp. He wore a three-piece suit and had the lawyer's habit of
hooking his thumbs inside his vest.
Still, Lourie's Stalin is very much a meat-and-potatoes stylist -- perhaps blood-and-guts
would be the more appropriate epithet, considering the number of corpses he leaves in his
wake. His raw efficiency as a narrator does have its black-comic charms,
however, and his race to the
biographical finish with Trotsky gives the book a powerful momentum. (Students of
history will recall that the narrator's rival was brutally cut off in mid-sentence.) And
what would be the moral of Stalin's story, at least in Lourie's version? There are
two, which should surprise nobody: Always watch your back and It's lonely at the top.
--James Marcus
The ring of truth and a great novel to boot If you've read enough biography
and history about Stalin, you probably feel that he is still an enigma wrapped inside a
riddle (to paraphrase Winston Churchill's assessment
of Russia). This novel may not be TRUTH, but it surely contains many lower-case truths
about one of the monsters of our sad century. Even aside from the issue of its
veracity, this is simply an enthralling read, an artistic, sophisticated and beautifully
plotted and executed attempt to plumb the depths of this particular darkness. Highly
recommended.
" A monumental and completely absorbing volume
that creates vivid portraits of two tyrants, while illuminating the first half of
this blood-stained century."
From Kirkus Reviews , January 15, 1992
A masterpiece by Bullock (Ernest Bevin, 1984, etc.) that covers some of the most
devastating events -- as well as two of the most terrible personalities -- of our century
with breathtaking analytical power and narrative sweep. One of the most
fruitful aspects of this dual biography is to reveal, for all the differences between
Hitler and Stalin, how much they had in common. The differences were mainly in
personality: Stalin the great calculator, Hitler the gambler; Stalin the master of
bureaucracy, Hitler the artist-politician, hating routine; Stalin the sly, political
Houdini, Hitler the charismatic leader. But their similarities were perhaps
more significant. Both were guilty of crimes against humanity on a scale unprecedented in
history: Like the Jews in Germany, peasant farmers in the Soviet Union were members of an
outlawed class denied all human rights. The corruption in the heart of
Nazism, according to Bullock, lay in its ends; in Communism,
in its means. Neither Hitler nor Stalin, he believes, was mad.
Both were entirely serious about their historic roles, the author says; skeptical about
the motives of others, their cynicism stopped short of their own. But Hitler,
at the end, was close to insanity; and Stalin had all the symptoms associated with
paranoia -- chronic suspicion, self-absorption, jealousy, hypersensitivity, and
megalomania. Both men brought unprecedented suffering on their own people; the
difference, Bullock notes, is that defeat exacted a terrible price from the German people,
but at least spared them the continuation of Nazism, while victory cost the Russian people
even more -- but did not liberate them. A magnificent history, accessible and
often moving. Bullock's mastery of research sources, his judgment, and his
analytic powers prove him one of the great historians of our time. (Seventy-one
photographs and 18 maps--not seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights
reserved.
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